Showing posts with label Women's intellectual history. Show all posts
Showing posts with label Women's intellectual history. Show all posts

Tuesday, July 24, 2012

Serendipity in the University of Washington Archives: Dr. Helen Remick, The Little School, Buxbaum, and Courtesy Markers*

An addendum to The Edith Buxbaum Journal

I had been searching through The Little School files one morning, while looking for information on Edith Buxbaum’s psychoanalytic relationship to The Little School, when I came across the name of Helen Remick. I recognized her name from 1977 when I was teaching an American Women’s History class for the Women’s Studies Program at the University of Washington.  At the time, Dr. Remick was the Affirmative Action officer. I saw her once at a Women’s Studies meeting when there was a town-gown discussion. As I remember it, Dr. Remick represented the gowns and though I was a graduate student at the time, my heart was with the women of  the town, organized by Radical Women and other liberation groups. I don’t remember much about the meeting except that the room was packed with women and there were uncomfortable feelings on all sides of the political spectrum, alongside mutual feelings of sisterhood. I didn’t continue going to Women’s Studies meetings. I was a single parent and had three children to take care of, in addition to my graduate work in history.
 

Those were different times, the 1970s, and now we’re at 2012. It’s been a long time since I finished my graduate work, having obtained the doctorate in 1994. I’ve raised three children to become professionals in the field of education and continue my writing and teaching outside the university setting, although I use its libraries and research facilities liberally. My gratitude toward those facilities take fullest expression in my use of the university’s archives, specifically Suzzallo’s Special Collections. Here I found Dr. Remick’s name in a Little School folder.  What was it doing there? It turns out that at the same time Dr. Remick was an affirmative action officer and attended that Women’s Studies meeting, she was the parent of a Little School pupil when it was in the Bellevue facility.
Dr. Eleanor Siegl
Dr. Remick was writing a letter asking Eleanor Siegl, director of the Little School, to address her as Dr. Helen Remick or, depending on the school’s protocol, Helen Remick or Ms. Helen Remick, but not as Mrs. Helen Remick or Mrs. Jack Remick. As in the Women’s Studies meeting, thanks to the 1970s women’s movement, we have clearly spelled-out feminist distinctions. Eleanor Siegl did not call herself a feminist, to my knowledge, but she expressed feminist leanings in pushing for a career outside the home. In many communications, however, Eleanor Siegl was Mrs. Henry Siegl, wife of the Seattle Symphony’s Concert Master.The two women expressed their feminism differently. As Dr. Remick was to tell me in a 2011 interview: “We had different feminist sensibilities.”

I am well-acquainted with Dr. Remick’s husband Jack Remick, a well-known Seattle poet, novelist and teacher. I had emailed Jack to ask him for Helen’s email to see if she was interested in talking to me about the letter she wrote to Eleanor Siegl and about their child’s experience at The Little School. I also asked Jack if I could interview him and eventually spoke with the whole family, including their daughter, Justine, now a university professor. From the Remick family I gained a fresh perspective on The Little School, a testament to the importance of personal interviews and of archival collections, especially in the internet age where facts can be changed to suit the moment.

Dr. Helen Remick
Dr. Remick retired from the University of Washington in 2005. She is now a practicing quilt artist, as thorough and exacting in this craft as she was as an affirmative action officer.

I don't know how much of a priority the name issue was for Edith Buxbaum, but it wasn't negligible.  She used the signatures Edith, Edith Buxbaum, Edith Buxbaum, Ph.D., Edith B. Schmidl, Mrs. Fritz Schmidl and, with her husband, Mr. and Mrs. Fritz Schmidl. In the summer 1982 bulletin (vol. 2, no.6, p.1) of the Psychoanalytic Society of Seattle (currently called the Seattle Psychoanalytic Society and Institute) in which Buxbaum was memorialized, her colleague Gerald B. Olch, M.D. (1921-1999) wrote: "I had the impression that she used her married name more frequently after her husband's death, as if it then became acceptable to her to reveal how much she had depended on him."


*The term, Courtesy Markers, is from Dr. Remick's letter to The Little School Staff. I had not heard of the term before reading the letter.

Wednesday, October 19, 2011

Naturalization Certificates, NY Addresses, Margaret Mahler & A Driver's License

An addendum to The Edith Buxbaum Journal

If you're interested in psychoanalytic trivia with class-based implications, here's a piece to whet the appetite. In November 1943, as her naturaliztion paper below indicates, Edith was living at 110 E. 87th St., New York's Upper East Side.

In 1938, a year or so after arriving in America, she lived in the east seventies. I know this, in part, from reading The Memoirs of Margaret S. Mahler, compiled and edited by Professor Paul E. Stepansky.

Margaret S. Mahler, best known for her work, The Psychological Birth of the Human Infant: Symbiosis and Individuation , writes in the memoirs:

"Edith Buxbaum,who had been in America for quite some time preceding our arrival, had allowed us to use her address in the east seventies as our mailing address..."  (As it turned out, Mahler's mail never reached her because it was delivered to the wrong address). (p. 97)

What intrigues me here is Mahler's concern that she live at the proper address so her patients wouldn't think less of her. She had been living  temporarily at 98th St and Columbus Ave. which was "on the wrong side of the [professional] dividing line." She "took on" her first two patients while living there:

 "... both had multiple dreams, the latent meaning of which revolved around their condescension toward me and pity for me, owing especially to the location of my apartment!" Soon the Mahlers learned "that most of the refugee analysts lived on Central Park West ...."  (p.97) I suppose this depended on which group of analysts one was attached to and, perhaps, it still does.


Note: Edith's last driver's license, signed Edith B. Schmidl, shows a different height and weight than the naturalization certificate. By all accounts she was a slight 5'3", not 5'7". 

When Edith and Fritz moved to Seattle, Edith's primary concern was rooted in where her mishpucha/(Jewish) family lived, even though she wasn't affiliated with the organized Jewish community, neither synagogue nor Federation.

(Source: Personal interviews with Adolph Gruhn, M.S.W., August 29, 1994; Morry Tolmach, M.S.W., September 29, 1994; for more on Buxbaum's Jewish identity, see my essay at HistoryLink, Washington State's on-line encyclopedia)

Fritz Schmidl's Naturalization Certificate. He and Edith were not yet married; thus, the difference in addresses and marital statuses. He was still legally married to his first wife, the emigre artist, Trude Schmidl-Waehner.

Naturalization Certificates and driver's license provided by Herbert J. Belch, Buxbaum Schmidl estate executor. In author's possession.

I look forward to reading Dr.Alma Bond's more recent biography of Mahler.

Tuesday, July 5, 2011

Summer 1947

An addendum to The Edith Buxbaum Journal

                                                            Edith Buxbaum, July 1947
                                                       (courtesy Robert Campbell, M.D.)

Edith looks wistful here, pensive as always, but also a bit sad.  Perhaps she is looking back to her childhood in Vienna before the wars. All the while, she is comfortable in her own skin and with herself in relation to Nature.  The photo was probably taken by her husband, Fritz Schmidl, when they were vacationing in Aspen, Colorado. I love her socks!

Same day, late evening: I look at the picture again, probably the tenth time today, and Dr. Buxbaum no longer looks sad; here in my present mood, she appears content, happy. How much of the biographer is reflected in the biographee?


Esther Altshul Helfgott, Ph.D., July 5, 2011

Wednesday, June 1, 2011

Paul Kirk House on Upland Terrace

An addendum to The Edith Buxbaum Journal

Edith on her deck overlooking Puget Sound,
a cigarette in her right hand.

 c 1960s, courtesy Dr. Robert Campbell

After moving from their Mt. Baker home, Edith Buxbaum and Fritz Schmidl lived at  6036 Upland Terrace. The house was designed by Seattle architect Paul Kirk.

Source:
Seattle Telephone directories; Polk's Seattle city directories
Schmidl, Fritz, 6036 Upland Ter, PA3-9943,
Schmidl, Edith B PhD, 6036 Upland Ter, PA3-9943 
--
Many thanks to Darlene E. Hamilton
Sr. Librarian-Genealogy
History, Travel and Maps Department
The Seattle Public Library


Esther Altshul Helfgott, Ph.D.,June 1, 2011